Some say the world will end in fire, Some say in ice. From what I've tasted of desire, I hold with those who favor fire. But if I had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.
From what I've tasted of desire I hold with those who favour fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great Figurative Language in "Fire and Ice" Imagery — The concepts of fire and ice carry with them deep connotations that, in and of themselves, prompt the recollection of the sensations they embody.
For example, fire elicits the feeling of heat and light, but also burning and pain.
This particular image is well used by Frost to create a duality with both fire and ice that then draws attention to the nature of the warning he creates. Symbolism — Symbolism is the key to this poem. Frost very explicitly makes fire a symbol for desire, and ice a symbol for hate. This, coupled with the imagery that these symbols evoke, creates a multidimensional complexity to the poem.
Because of the deeper meaning that fire and ice take on, the application and understanding of the poem is altered. While the poem still is interpreted as a warning against these behaviors in the broad scheme of the world, in concordance with the war that was occurring, it also begins to take on a more personal level.
Namely, this is due to the personal connection that is shared by the creation of these symbols, with fire and desire, ice and hate. On the surface, this represents a group of people who are of the opinion of the manner in which the world ends.
It gives the poem a very abrupt ending, leaving the reader with a sense that the poem has not entirely concluded.
Significant Diction in "Fire and Ice" While the poem is designed to be easily understandable, several words that are used by Frost are noteworthy. Foremost among these is the use of the word desire.
The reasons for the choice are clear, seeing as it preserves the rhyme scheme in a better manner. However, in the manner in this peome that desire is used, the word is usually lust, not desire.
Lust carries with it a deeper, more impactful connotation. By using desire instead of lust, which is a broader word applicable to more things, Frost is equating simple desire with lust, therefore giving the word a darker association within the context of the poem, which works better for the creation of his warning as to the habits of humanity.
It creates synesthesia, relating the abstract concept of desire to a relatable human sense. In doing this, Frost adds a layer of multidimensionality to the poem, giving it a larger basis for the understanding of its meaning to the reader. Meter in "Fire and Ice" The meter of "Fire and Ice" is irregular, although it does maintain an iambic foot throughout.
The first line is tetrameter, followed by dimeter, followed by five lines of tetrameter and ending with two lines of dimeter. The purpose of the variance in line length is to provide natural interruptions in the poem, causing the reader to pause and reread the prior lines in order to understand the meaning of the lines that use dimeter.
The meter also creates a general falling action for the poem, as it generally uses the tetrameter until the final two lines, which seem to underwhelm in both length and the final conclusion that is made.
Also of note is Frost's use of couplets within the poem. The first and second, third and fourth, fifth and sixth, and seventh and eight are each couplets that mark within themselves important shifts in the poem.
The first sets the stage for the end of the world, and relatedly the flaws of humanity. The second introduces the important first person, while dealing with the concept of desire and its relationship to the fire that is so harmful to the earth. The third deals with the knowledge of the speaker, placing himself as a quasi-expert on the subject by saying "I think I know enough of hate.
With the creation of these couplets that have within them seperate focuses in regards to the poem as the whole, the last line is made to be more prominent, drawing attention to it's underwhelming final statement that breaks from any convention of the poem that precedes it."Fire and Ice" bears many of the characteristics that represent the body of work for Robert Frost.
It is written in a simple manner, using a language set and vernacular that is designed to be easily understood. The Data. Any good Robert Frost poetry analysis begins with gathering data. In this case, we are led to the following observations and queries: As the title implies, "Fire and Ice" is a poem of contrasts, a poem of extremes.
Meaning of "Fire and Ice" The poem itself does not require a large amount of explanation as to meaning of words or phrases, due to Frost’s concentration on making the poem readable and understandable by all. "Fire and Ice" written by Robert Frost is a poem more modern than some of his other famous works such as: "The Road Not Taken" and "After Apple Picking".
A reader does not sense the 'old-fashioned' New England lifestyle that many associate Frost with. His poem "Fire and Ice" influenced the title and other aspects of George R. R. Martin's fantasy series A Song of Ice and Fire.   Robert Frost Hall is an academic building at Southern New Hampshire University in Manchester, New Hampshire.
In “Fire and Ice,” Robert Frost creates a speaker whose conjectures about the world’s ultimate destruction are designed to reveal the deadly potential of human passion. In order to illustrate his theme, Frost cleverly manipulates the imagery of the title, fire and ice.