Have you googled cliches recently?
Subscribe to our FREE email newsletter and download free character development worksheets! We need to weigh their suitability as subjects for fiction, and then figure out how to go about making use of them. Here are 10 tips to help you do just that. This article is about cliched themes, not phrases.
If you want to learn about cliche phrases that all writers should avoid, check out these cliche examples. Our own private thoughts, dreams, intuitions and fantasies are inevitably colored by what psychiatrist Carl Jung called the collective unconscious—the vast, reservoir-like body of shared human experiences and of myths, symbols and legends.
Most sensational subjects have been treated to death. Steer clear of tired plots and you, your characters and your readers will avoid all kinds of heartache. Resist The Lure of the Sensational For beginning and experienced writers alike, the temptation to choose intrinsically dramatic subjects is hard to resist.
Drug deals and busts gone wrong, kidnapping, abortion, car crashes, murder, madness, rape, war—with such sensational raw material to work with, how can writers go wrong? They can and they do. A common stereotype is that of the starving artist.
This, after all, is the reality for many professional fine artists. Even poor Vincent van Gogh, that most depraved and deprived of artists, fails to live up to the image.
True, he often went hungry, and he suffered from incapacitating seizures. But the cartoon of the foaming madman does him no justice. But as with most things in life, you tend to get what you pay for. Our stories should be stories that only we can tell, as only we can tell them.
Keep it Real by Taking it Slow My favorite exercise is to ask my students to write two pieces, one at a time, each about a minute long. Piece 1 should rivet the reader; Piece 2 should bore the reader stiff.
Each student reads both pieces out loud. There are several reasons for this. In their effort to grip us, beginning writers tend to rush: They equate their own adrenaline with that of the reader. And—to their consternation—the result mesmerizes.
At any rate it holds our attention. But far worse than rushing, in trying to interest us, most writers abandon sincerity and, with it, authenticity. They choose sensational subjects on the basis of little personal knowledge and no genuine emotional investment. In pretending to be anyone other than themselves, writers sacrifice the very thing we most crave from them: And convenience for writers—convenient plots, convenient characters, convenient coincidences, convenient settings or situations or strings of words—almost always spells doom.
A writer sets her story in an abortion clinic. What are the expectations raised by such a setting? To the extent that the common expectations raised by this setting are met head-on, the story fails. Elevate the Ordinary F. We call a story or a scene melodramatic when its protagonists are too obviously heroes or victims and its antagonists are obviously villains.
Another acid test for melodrama is the tendency to resort to violence, either emotional catatonic seizures, gasps, screams, floods of tears, verbal confrontations or physical fisticuffs—or worse, depending on the caliber of melodrama and available firearms.
Gratuitous violence is synonymous with melodrama. When it does happen, I want to be there. Any over-the-top action results in melodrama. A male lover, freshly dumped by his girl, throws himself into the nearest river. Or, being told by the same girl that she loves him, he boards a crowded subway and kisses everyone in sight, including a blind man and the conductor.Cliches to Avoid While Writing by Aravind S December 13, Views Let’s come to terms with reality, readers no longer like to read stuff that has been washed, rinsed, and soaked n number of times.
If you want your writing to be fresh and interesting, you should avoid using clichés. Try rephrasing your text to make it more concise and original. Ask somebody else to proof-read your work to help ensure that you are not using clichés or other unnecessary padding words and phrases.
Finally, avoid "padding" your work with cliches. This is an effective way to increase the length of a paper, but not to increase your grades. Most professors know cliches when they see them.
(Note: This article is about cliched themes, not phrases.
If you want to learn about cliche phrases that all writers should avoid, check out these cliche examples). Avoid Stolen or Borrowed Tales. A writer’s job is to write stories—not to steal or borrow them and, with a coat of fresh paint, pawn them off as original.
Cliches to Avoid in Your Creative Writing Cliches (properly spelled clichés, with the acute accent) are words and phrases, once interesting, which have lost their original effect from overuse. They are considered trite and should be avoided in writing unless used purposely for effect.
Feb 04, · I'm writing a young adult novel, but all cliches to avoid in general, will be helpful. Thank benjaminpohle.com: Resolved.